EXPLORE MY LAIR:

Classical Music Iceberg

Canon in D         Cello Prelude in G
        
Mozart         Beethoven         Bach

The Four Seasons         Moonlight Sonata

Clair De Lune         The Ninth
NORMIE
Chopin  Haydn  Film Music  Handel  Vivaldi
1st Viennese School  Schubert  Debussy  Wagner Liszt  Mahler Mendelssohn Bernstein
Clapping in between movements J. Hisaishi  
John Willams copied Holst’s The Planets 
Baroque  Era  Stravinsky  Dvorak  Tchaikovsky
CASUAL
Verdi  Reich  Britten  Puccini  Minimalism
Rimsky-Korsakov  Modernism  Prokofiev  Berlioz  Polytonalism  2nd Viennese School  Copeland  Bartok  Twelve-tone technique  Rachmaninoff  Schoenberg  Y. Kanno  Ballets Russes  Gershwin Vaughan-Williams  Sibelius  Bruckner  Scriabin   Glass  Ravel  R. Strauss Shostakovich          Janacek
ENTHUSIAST
Charles Ives  Olivier Messiaen  Arvo Part
Lili Boulanger  Post-Modernism  Carl Vine  4’33”   Alberto Ginastera   John Adams
Elgar’s Enigma true countermelody  Tintinnabuli    Rite of Spring Premiere 
Heiligenstadt Testament     Alan Berg   
Baroque polytonality in Heinrich Biber’s Battalia a 10
Limited Modes of Transposition  Pierre Boulez
Krzysztof Penderecki     Gyorgy Ligeti  
Qigang Chen   Chinese Propaganda Operas  Einojuhani Rautavaara
Removed pages from Mozart’s first draft of the Requiem
OBSESSED NEET
Thomas Ades   Iannis Xenakis   Serialism
Adolphe Sax copyrighting attempts Johnny Greenwood
Spectral Music   Xiaoyong Chen   Unsuk Chin 
Christopher Rouse  Victoria Borisova-Ollas George Crumb Shostakovich’s 5th was actually sincere Aaron Jay Kernis Silvestre Revueltas Kevin Volans
DEGENERATE
Brian Ferneyhough                      

              Beethoven was actually black
              
              
Ligeti Requiem recording with torture audio


Ben Johnston          

Bach Oklahoma Silo Theory (DO NOT RESEARCH)
IRREDEEMABLE